Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

Frankly Speaking

Film historian Dhruv Somani, tracks down Ranjeeta, who had wowed the audiences with major hits like Laila Majnu, Ankhiyon ke J...

Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

Jai Siya Ram…

Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the po...

Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

Pravesh Sippy: Never in Dire Straits

Water of love deep in the ground/But there ain’t no water here to be found/Some day baby when the river runs free/It's gonna carry that w...

Stay safe, ignore alarming news-spreaders

An update by Dr Kishore Madhwani on the pandemic situation in India and globally

As Corona positive cases increase across the globe, our only weapo...

Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...