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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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Jhappi-pappi and all

Farrukh Dhondy recalls the Bhartiya Janta Party’s election victory of 2014, which he watched unfold on television when h...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

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Creative Children

KidzCINEMA held a Children's film festival recently, which included films made by children, reports The Daily Eye Newsdesk. Read More

Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

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A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

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A Few Bad Men (and Women): The Journey of the Villain in Hindi Cinema

National Award-winning Balaji Vittal speaks to Shantanu Ray Chaudhuri on his new book, Pure Evil: The Bad Men of Bollywood

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In the land of the capitalists

‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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