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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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A SUITABLE MAN

Khalid Mohamed’s freewheeling chatfest with Saif Ali Khan, on his change-over from being ‘flighty’ to becomi...

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Spine Chiller Revisited

Film historian Dhruv Somani revisits Jaani Dushman the 1979 multi-starrer blockbuster of Raj Kumar Kohli, which is a major dra...

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Rocket Girl

Khalid Mohamed interviews Saba Azad, the multi-faceted actor, dancer, theatre director, singer who made an impact with the ser...

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It was raining hits

Film historian Dhruv Somani, writes a comprehensive account of the disco monarch, the late Bappi Lahiri.

When Comedy was King

Film historian, Dhruv Somani, salutes the comic actors of yore, who would make us roll with laughter in the aisles.

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A Laudable Effort Undone by Static Telling

8/12 Binay Badal Dinesh Review by Shantanu Ray Chaudhury.

It remains one of the most dari...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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