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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Video Gaga

Film historian Dhruv Somani excavates the exclusive made-for video movies by Nari Hira and other producers, way before the arr...

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The Last Concert

Begum Akhtar passed away a day after her concert in Ahmedabad on 29 October, 1974. Here’s a rare photo-essay of that enchanted evening by...

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Of Abusive Power & Complicit Silence

Reema Moudgil walks us through three documentaries streaming right now, which show the ultimate culmination of the Bois Locker Room culture. An...

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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

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