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The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Bees Saal Baad Revisited

Film historian Dhruv Somani, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever sinc...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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