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No Man is an island

Rinki Roy Bhattacharya writes that the relentless media coverage about the pandemic we are all stuck in was guaranteed to...

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Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Bazaar 2 In The Works: Sagar Sarhadi

Khalid Mohamed catches up with the eminent short story writer, film dialogue wordsmith and dir...

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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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When words are just not enough….

I write this with a heavy heart, says Rujuta Vaidya as she remembers her time-spent learning dance choreography from the unparalleled to date, ...

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Troubled waters: The fishing community of Worli Koliwada

A photo-feature by Vatsal Shah on the beleaguered fishing village of Worli Koliwada, before and after the outbreak of the pand...

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