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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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Animal Kingdom

A throwback by film historian Dhruv Somani, to the Bollywood movies in which wonder animals would prove to be proverbial scene...

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Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...

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Vaccine Development: The Multiplier Benefits Of Blockchain

Despite the numerous advantages to using blockchain for the various stages of vaccine development and deployment enunciated above, a number of ...

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As messy as it gets

Khalid Mohamed reviews Dolly Kitty Aur Woh Chamakte Sitare and the multiple Emmy Primetime Awa...

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From Activism to Slacktivism

Amit Khanna writes that even as hundreds of millions wake up to a good morning message from friends and family, an equal if no...

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Badshah: On the mat

The recent controversy over rapper Badshah, allegedly buying likes and views opens up the debate over fake followers on social media once more,...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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