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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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Give peace a chance

Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentar...

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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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India’s Participation at the Berlinale, 2018

As the curtains fell on the 68th Berlin International Fil...

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Sanal Kumar Sasidharan: “There is nothing sexy about Durga in my film”.

The firebrand director shot to fame recently when his latest film S Durga was banned from being showcased as part of the Indian Panorama section in the 49th Read More

Should Goa or Delhi run the International Film Festival of India? The plot thickens

The 47th edition of the International Film Festival of India has commenced in Goa, and has been preceded by the by-now familiar jostling over jurisdiction between the two m...

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Films communicate on an Emotional Level and bring about a change in the way people think: Rajko Grlic

The Croatian filmmaker, Rajko Grlic, met the media at the 47th IFFI, 2016 in Goa today. His Film ‘The Constitution’, was screened at the Film Festiva...

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Manipuri film ‘Ima Sabitri’ opens non-feature section

‘Ishti’, the opening feature film for the Indian Panorama, is set in the mid-twentieth century Kerala, when young Namboothiri Brahmins successfully challenged t...

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IFFI 2016: SP Balasubramaniam Receives Centenary Award

Girl power and cinema rooted in reality were buzzwords at the inaugural ceremony for the 47th edition of International Film Festival of India (IFFI) in Goa on Sunday. Hoste...

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Three Indian Movies To Travel To Cairo Film Festival

Three Indian movies will be part of the Cairo International Film Festival, running from November 15 to 24. What is most remarkable is that one of them, The Narrow Path (Ott...

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