RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

Frank and Fearless

Film historian Dhruv Somani assesses the yesteryear success story of the gossip-packed monthly magazine Stardust.

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BLAZE: THE WALTZ OF GRIEF AND RESILIENCE

In this interview with the authors of the book ‘Blaze’, Nidhi and Sushil Poddar, Shantanu Ray Chaudhuri asks ...

Pre-Partition Punjab’s Contribution To Indian Cinema

Professor Ishtiaq Ahmed delves deep into the Partition phase. And here comes in focus the leading artists and creative folk who had to shift base from Lahore, writes Read More

Tum kya History Parathe ho?

Humra Quraishi writes: Words like riots and rioting hit you hard, because they announce another round of destruction of human ...

The Defiant Ones

Khalid Mohamed marvels at the bold and timeless writings of the iconic writers Ismat Chughtai and Saadat Hasan Manto, on the b...