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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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Love me if you can: Khwaja Ahmad Abbas

“Love me if you can”, says the last will and testament of Khwaja Ahmad Abbas, writes Read More

Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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Bigotry threatens India’s Constitution

To defend India, we must protect the idea of India as Mahatma Gandhi, Sardar Vallabhai Patel, and BR Ambedkar envisioned it, writes  Read More

An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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