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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Mohammed Rafi: Forty Years Later

Anil Dixit exults about Mohammed Rafi’s imperishable legacy of songs, on the occasion of the legendary crooner’s 4...

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Mehmood: The King of Comedy

Khalid Mohamed recalls Bollywood’s ace wonder mirth-maker, Mehmood, on the occasion of h...

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Wonder Animals: The Untold Story

Khalid Mohamed rewinds to the coached dogs, chimpanzees and elephants that would often steal t...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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