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Rameshwari wahi jo sab ka man bhaaye

Aparajita Krishna takes us with her on a journey through Rameshwari’s life - from a student of acting to becoming a film star, wife, m...

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Kill kill, bang bang

Khalid Mohamed reviews  the cop flick Class of ’83 and more fare streaming on the channels currently.

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Bollywood’s leap out of the closet

“It is an old stereotype, that homosexuality has to do only with sex while heterosexuality is multifaceted and embraces love and romance....

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Bergman, Sombre or Pragmatic?

Ingmar Bergman prevalently known for his movie ‘Persona’ was considered as the most thoroughgoing in procedure and technique. Classism in the movies came out vo...

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Exhilarating Thespo 17 Concludes

India’s Premiere Youth Theatre Festival
leaves the audience spell-bound and wanting more!

Bergman, Sombre or Pragmatic?

Ingmar Bergman prevalently known for his movie ‘Persona’ was considered as the most thoroughgoing in procedure and technique. Classism in the movies came out vo...

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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, dire...

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