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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

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Renuka Shahane: The Complete Woman

Vinta Nanda is on a rollercoaster ride with Renuka Shahane. The two begin from where the actor...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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My world view: Deepika Deshpande-Amin

It’s a fascinating journey to go down a long winding road with a friend - when the conversation is nothin...

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Bhanu Athaiya: Best of the Best

Film historian, Dhruv Somani, picks his 10 favourites from the vast collection  created by the late doyenne of film costu...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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