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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Stardom: The road to heaven

Vinta Nanda writes about two strugglers – their personal experiences that explain how it works for aspirants before they...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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Lekh Tandon’s last film on Triple Talak at Berlin Film Festival

January 31 2018, Mumbai: Filmmaker Lekh Tandon’s last directorial venture ‘Phir Usi Mod Par’ based o...

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Embrace new media to fight stereotypes in Films and Television

The KASHISH Arts Foundation that organizes South Asia's biggest LGBTQ film festival - KASHISH Mumbai International Queer Film Festival - hel...

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Shashi Kapoor - The Actor Without Airs Is No More

Shashi Kapoor, born as Balbir Prithviraj Kapoor, who was adored as the Adonis of Hindi Cinema and hailed as an actor with a global appeal of his own is no more. The embodim...

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