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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultTHE POLITICAL GAMECHANGER
Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...
Read MoreKEECHAR VERSUS GULAL
Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...
Read MoreYET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...
Read MoreABOUT BRINGING GURU DUTT TO BENGALI READERS
Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....
Read MoreDecoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...
Read MoreGovernment in Hibernation - Lay-offs Rampant
Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes...
Read MoreBengali Cinema: A Middle Way to Tread
Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...
Read MoreBallavpurer Roopkatha: A Director In-charge
Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...
Read MoreOn Watching Ponniyin Selvan
Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...
Read MoreFiguring out Chaddha
An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...
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