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COVID-19: The hour of reckoning

Anupama Mandloi writes about how the Mumbai based organization YUVA, has engineered itself to help the disadvantaged during th...

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The Unknown Story

Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty

How many even know...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Wow Effect! Discovering major acting talents

Khalid Mohamed sights four terrific actors on the gamut of original films and web series, streaming currently

Speak English, Drink Rum: Women at the workplace

Vinta Nanda recalls the times when she was a smoker, enjoyed drinking rum and coke every other evening and also spoke fluent E...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Re-Engineering Culture: Majha House

Preeti Gill, founder of Majha House in Amritsar, tells about the place, which asserts Punjab’s rich history of performance, literature an...

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