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The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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And a New Year is about to begin…

It is the good times of the past that inspire us to look forward to the coming year, for there is little in the events of 2021 that give any co...

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Flights For Freedom

Call for film submissions and Wendell Rodricks International Poster Design Contest are open. The theme for South Asia’s biggest LGBTQA+ F...

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All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

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Double standards… all the way!

Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...

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Nothing is funny in one India

Humra Quraishi remembers what Zakia Jafry had once said to give context to the violence spreading across India today and why t...

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Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

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Signs of the time: For God’s Sake, Be Human!

This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that ...

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Another Ravi Varma: Mankada

Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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