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AND THE WINNERS ARE…

 

 

Here’s reviving the Raj Kapoor Awards for Excelle...

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VOICES: How it worked in 2020

The Pandemic still continues as we move out of the year of 2020 and move into the next year of 2021. Several professionals talk to Mona...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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Alibabas galore…

Film historian Dhruv Somani flashbacks to the plethora of Bollywood movies, which were once fascinated by the adventures of Al...

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Signs of the time: The Trolley Times

No New Years greetings from me to you. There is little to celebrate, writes Humra Quraishi

Pause for a cause

Khalid Mohamed thumbs up the cautionary Unpaused, checks out the complicated crime thriller and gives up on a dithering bid to take over  Casino: My G...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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My city, my friend

Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for st...

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Signs of the time: Reality of our Democracy

The images of my farmers sitting on the borders of the capital  city,  braving it out, make me despair, says Humra Quraishi Read More

In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda