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Signs of the time: What Gandhi didn’t want

Humra Quraishi looks at the indiscriminate violence taking place around the country ironically...

Business and Politics

Signs of the time: The trauma generation

Humra Quraishi looks into reports, that are available, to find out about the fears and anxieti...

Thought Factory

Widening the Definition of Literature with Bob Dylan

The word ‘literature’ in a dictionary covers many genres of achievement and is the generic name for many sins, writes Farrukh Dhondy. Neverthel...

Hollywood

Their Little Secret: Murmur of the Heart

Louis Malle is known for controversial and often semi-autobiographical work, writes Sharad Raj.

Environment

Climate Change: Millions Could Migrate by 2050

Decisive collective action could reduce climate migration by as much as 80 percent, reports The Daily Eye Newsdesk

<a href="/priorities/climate-change-millions-could-migrate-by-2050/07747539848a5899" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/hrid-majhare-the-bard-s-official-debut-in-bengali-cinema/80623b0a02a0e0af" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1632062502Retroscope_-_Post_(2)_(10)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/hrid-majhare-the-bard-s-official-debut-in-bengali-cinema/80623b0a02a0e0af">Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema</a></h3> <p><p style="text-align: justify;">In the series on landmark Bengali films post 2000, <strong>Shantanu Ray Chaudhuri</strong> looks at Ranjan Ghosh’s adaptation of Shakespe...</p> <a href="/thought-box/hrid-majhare-the-bard-s-official-debut-in-bengali-cinema/80623b0a02a0e0af" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/in-the-news/signs-of-the-time-no-light-in-dark-times/25eda90b7782b4a0" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631887110Retroscope_-_Post_(41)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Trending" style="color: #1985e1;">Trending</a> </div> <h3><a href="/in-the-news/signs-of-the-time-no-light-in-dark-times/25eda90b7782b4a0">Signs of the time: No light in dark times</a></h3> <p><p style="text-align: justify;"><strong>Humra Quraishi</strong> addresses the politically exploitative atmosphere in Uttar Pradesh as assembly elections come closer and the ri...</p> <a href="/in-the-news/signs-of-the-time-no-light-in-dark-times/25eda90b7782b4a0" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/times-of-indian-politics/279aafa52e9efa0f" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631809631Retroscope_-_Post_(1)_(17)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Business and Politics" style="color: #1985e1;">Business and Politics</a> </div> <h3><a href="/thought-box/times-of-indian-politics/279aafa52e9efa0f">Times of Indian Politics</a></h3> <p><p style="text-align: justify;"><strong>Farrukh Dhondy</strong> makes an attempt to understand Indian Politics in context to the self-imploding ideology of Hindutva</p> <p st...</p> <a href="/thought-box/times-of-indian-politics/279aafa52e9efa0f" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/mirror-mirror-on-the-wall/8ac3fd0fadd2b823" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631726336thumb-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/mirror-mirror-on-the-wall/8ac3fd0fadd2b823">Mirror, Mirror on the Wall</a></h3> <p><p style="text-align: justify;"><span style="font-weight: 400;">In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...</p> <a href="/thought-box/mirror-mirror-on-the-wall/8ac3fd0fadd2b823" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/the-hazards-of-adaptation-chimamanda-ngozi-adichie/349a4d54e649aa6b" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631542397Retroscope_-_Post_(2)_(9)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/the-hazards-of-adaptation-chimamanda-ngozi-adichie/349a4d54e649aa6b">The Hazards of Adaptation: Chimamanda Ngozi Adichie</a></h3> <p><p style="text-align: justify;"><strong>Ranjan Das</strong> focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...</p> <a href="/thought-box/the-hazards-of-adaptation-chimamanda-ngozi-adichie/349a4d54e649aa6b" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="pagination"> <ul class='pagination'><li class='prev page-numbers' class='page_info'>Page 49 of 201</li><li><a class='prev page-numbers' href='?search= Fact&submit=&page=48'><i class='fa fa-caret-left'></i> Previous Page</a></li><li><a href='?search= Fact&submit=&page=1'>1</a></li><li><a href='?search= Fact&submit=&page=2'>2</a></li><li class='dot'>...</li><li><a href='?search= Fact&submit=&page=47'>47</a></li><li><a href='?search= Fact&submit=&page=48'>48</a></li><li><a class='current'>49</a></li><li><a href='?search= Fact&submit=&page=50'>50</a></li><li><a href='?search= Fact&submit=&page=51'>51</a></li><li 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ALTERNATIVE ENTERTAINMENT: TRUTH IN THE POST-TRUTH ERA

POLITICS: WHO TRULY BENEFITS FROM CONFLICT?

FESTIVALS: DIVINE WISDOM UNVEILED AT COSMIC ART GALLERY

FESTIVALS: IMMORTALISING BIMAL ROY’S CINEMATIC LEGACY

BUSINESS: THE BIG DADDY OF THE BIG IDEA!

POWERFUL PEOPLE: PATHBREAKING JOURNEY OF STORYTELLING VISION

KALEIDOSCOPE: WHY DON’T THEY GET IT?!

POWERFUL PEOPLE: FROM CRIME REPORTING TO FICTION

POLITICS: INNOCENCE LOST IN A BARBARIC WORLD

GENDER: A SHAKEN CITY AND NATION