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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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FLASHBACK TO FORWARD

Today Aparajita Krishna is under the spell of stories of the past and present of Producer, Director Vinod Pande, Thespian MK R...

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STREET PROTESTS & GROUND REALITIES

The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unempl...

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DARE TO DREAM

Khalid Mohamed interviews Shriya Pilgaonkar, the multi-faceted actor who has knocked out bravura performances in films, theatr...

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Distorted to Divide

Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge....

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

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A Laudable Effort Undone by Static Telling

8/12 Binay Badal Dinesh Review by Shantanu Ray Chaudhury.

It remains one of the most dari...

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