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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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MY RK STORY

Once, Raj Kapoor rescued a mugged journalist from being...

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Does art have a religion?

Recently there was a row over a Muslim Dancer named Mansiya, not being allowed to perform at a Kerala temple. Artists from various fields discu...

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NO ONE KILLED PALAN

On the birth anniversary of legendary director Mrinal Sen, Shantanu Ray Chaudhuri Read More

BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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Grandma Dearest

Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cin...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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HIT MACHINE

Film historian Dhruv Somani tracks the unique success story of Jeetendra who completed his 80th last week - in a welter of Hin...

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