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The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

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How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

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The genius of Jacques Tati

Sharad Raj explores how the existential and political angst of the torchbearers of the Novell Vague got an edge over Tati when it came to intel...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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I want to act, not be famous: Arif Zakaria

Aparajita Krishna tells us, that Arif Zakaria was born in a very respected Konkani Muslim family in Bombay.

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How to go Crackers

Khalid Mohamed goes streaming with Laxmii, Aashram 2 and more.

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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