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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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MY RK STORY

Once, Raj Kapoor rescued a mugged journalist from being...

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BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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That Mughal Touch

Film historian Dhruv Somani, catches up with Akbar Khan, for a conversation about the actor-producer-director’s yesterda...

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The Natural

Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsm...

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Cinema: A Lifetime Impact

An Art form, a masterpiece., pretentious nonsense, a waste of time and a passion, writes Shourya Sinha, as he deconstructs wha...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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