The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

Signs of the time: No light in dark times

Humra Quraishi addresses the politically exploitative atmosphere in Uttar Pradesh as assembly elections come closer and the ri...

Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

A Book of Tiny Flames

And each flame melting in its own heat, writes Janaky Sreedharan in her review of the book A Red-Necked Green Bird

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Man of Miracles

Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...

Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

Bhagat Singh’s writings on caste

In his writings on caste, Bhagat Singh understood the practice of untouchability and its associated binary of purity-pollution as an integral p...

Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood