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100 years of Sayed Haider Raza

Teesta Bhandare explores the art of Raza through the lens of the global avant garde.

On F...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Let the wilderness within you speak

In his second letter to readers, Philosophy Coach and Consultant at Universal Enlightenment & Flourishing, Christophe Porot&nb...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Welcome to the ‘Young Collectors’ Weekend’!

Indian millennials are a force to be reckoned with, writes Teesta Bhandare, while introducing readers to the online art festiv...

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YRF Crashes into the OTT universe

Monojit Lahiri investigates whether the grand entry of YRF into the OTT universe is a blessing or a curse.

What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Double standards… all the way!

Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...

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A Life in Translation: Gita Krishnankutty

Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan...

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In the land of the capitalists

‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...

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