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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultShyamal Uncle turns off the lights
In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...
Read MoreMan of Miracles
Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...
Read MoreGrammy Winner Ricky Kej and Rock legend Stewart Copeland’s Divine Tides
Bangalore, Karnataka: Grammy® award winner and Indian Music Composer Ricky Kej to release his 21st studio album in collaboration with five ...
Read MoreSimply a storyteller: Mitra Phukan
It is my privilege to introduce, to those among you, who don’t know her, Mitra Phukan - a writer, author and thought leader - writes
Those magical tours
Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier&rsquo...
Read MoreOf Dev Anand’s James Bond-like adventure





Film historian Dhruv Somani, zeroes in on The Evil Within, the little-seen crime thriller, which had marked the evergreen star...
Read MoreReview: Searching for ‘Happiness’
Originating from a conversation with his seven-year-old daughter, Suman Ghosh’s new film is an ode to the city of Kolkata, writes
Journey of a Passionate Tale-Spinner
Janaky Sreedharan presents Nabanita Deshmukh, a storyteller who follows a unique process to engage with children.
How the war was won





Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...
Read MoreA Portrait in words and pictures: Seema Kapoor
Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan made Seema Kapoor address this article, writes ...
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