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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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IT’S APPY NEW YEAR AND A BOUQUET OF TALKS

Here’s another in her series of a bouquet of talks, by Aparajita Krishna. This time she converses with Manmohan Shetty, Govind Nihalani, ...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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The Journalist and the storyteller: Sujata S Sabnis

Everybody is talking about Sujata S Sabnis’ latest book Blood on the Sands, writes Vinta N...

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The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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Remembered: Mulk Raj Anand

Humra Quraishi recalle her conversations with one of India’s most perceptive writers, Mulk Raj Anand, who spoke about th...

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Have camera, will travel

Itinerant photographer, Ashis Ghatak, writes on the myriad pleasures of travel photography

Avoidable: The 'ageism' bias

With all that is being written in the media these days about ageism, I should not (actually could not) have done all that I did over the years,...

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Some dope on pot: It’s Hazy

Vinta Nanda collates information from available materials on the web for us to find out what Bhang, Charas and Ganja mean to I...

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