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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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Status Single & Lockdown

On April 1, 45-year-old auditor, divorcee, Kriva, who quit her last job in December after being harassed for being single, picked on for lookin...

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The Maestro: Pandit Ravi Shankar

This year – 2020 - is sitar maestro Pandit Ravi Shankar’s birth centenary year, writes Humra Quraishi  

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Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

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ART SALUTES WORKERS

Khalid Mohamed writes on the imperative need for Indian artists to express  their strong views on the state of nation und...

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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

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Panchayat: Apna Gaon Apna Desh

Three cheers to Panchayat, a binge-worthy series at long last, in these stricken times - Khalid Mohamed

Not the Mumbai I know

“All of man's achievements and endeavors will be brought to naught because of his greed to takeover and tame nature. Hunt down its creatu...

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