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Business and Politics

Avoidable: The 'ageism' bias

With all that is being written in the media these days about ageism, I should not (actually could not) have done all that I did over the years,...

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Powerful People

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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TV

So much hokum-pokum

Khalid Mohamed reviews the time-travel series JL 50, the documentary  Social Dilemma and ...

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Business and Politics

Hello FAU-G! Bye-Bye PUBG!

Dr Sandeep Goyal writes that Akshay Kumar’s announcement has given FAU-G both the PR hi-ground, and possibly a first mover advantage crea...

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Thought Factory

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Kaleidoscope

Ways of seeing Mumbai

A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed <...

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Kaleidoscope

Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

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Movies

That Classic Conflict: Bandish Bandits

Khalid Mohamed reviews the web series Bandish Bandits… and more fare currently showing on the streaming channels.

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Powerful People

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Retroscope

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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