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WHEN CLAY BECOMES LIVING POETRY
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EDEN CREEK BENGAL REVIEWED BRILLIANTLY
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THE LAST LANGUAGE OF DEMOCRACY
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MAGDALEN OF THE CANADIAN ARCHIPELAGO
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BATTLEGROUND TO BOARDROOM: INNER STRENGTH
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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT
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BEGUM BARVE RETURNS WITH BRILLIANCE
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PINJAR REVIEW: FREEDOM BEYOND THE CAGE
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WOMEN RESHAPE INDIA'S CREATIVE ECONOMY
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FILMING MEMORY THROUGH PERSONAL LANDSCAPES
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Thought Factory
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A Fragmented Sky
Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian culture and its present. My nanna carried her paanda...
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Hamari Amita: Critic who called the shots
Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and television critic”. She’s one write...
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Posters Forever!
Khalid Mohamed, tracks the spiralling demand for nostalgia-exuding vintage Bollywood posters and memorabilia, many of which are sheer artworks. Posters of the rarest ...
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Literary landmark in world fiction: Kabuliwala
Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, towards each other, among people from diverse origi...
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DILIP KUMAR: THE BIG BURGLAR
Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh Pandey What makes Dilip Kumar so ines...
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Drishadvati: The daughter of Yayati
Read Janaky Sreedharan’s incisive view on Madhavi S Mahadevan’s Bride of the Forest Reshaping age-old Indian myths into delectable reading experiences has becom...
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Disconnected democracy
Gautam Benegal discusses the twin pronged strategy applied by the present union government to establish absolute dominance. Do you see the connection between the advantageo...
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Those magical tours
Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier’s High School’s Scout Master Homi Lala. &n...
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A dog, a boy and a film: Musings on Kala
Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its display on screen in the name of settling certain ...
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When men change and repent: Cinema of Kenji Mizoguchi
Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of them. “The fruit of experience is beauty,&...
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