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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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KASHISH 2020: Fifty-two films in competition

KASHISH 2020 Virtual, will screen 157 films from 42 countries
The 11th edition of KASHISH Mumbai International Queer Film Festival, South...

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Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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The Standoff: Pataal Lok and Contagion

Vinta Nanda writes about how we process these times when the movies are advancing our future.

No place to hide

Humra  Quraishi writes this short story about a brother, who comes visiting his sister to...

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Of Silent Havelis

Ashok Sood’s photo-feature on the gorgeous havelis of Nawalgarh, Rajasthan, which like other tourist hubs of India, will...

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Tragedy: The Untold Story of Baby Naaz

Khalid Mohamed narrates the story of Baby Naaz, a super child actor of the vintage years, who ...

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Rain Watch

Sameer Rattonsey, a resident of Bandra, captures the sunsets, even as the weather over Mumbai continues to be unpredictable...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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