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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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Hair today, gone tomorrow

Khalid Mohamed streams right into Hansal Mehta’s Chhalaang, Akarsh Khurana’s Mismatched and more.

Such a Bored Game

Khalid Mohamed throws a dice at Anurag Basu’s Ludo… and checks out Pepper Chicken...

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The Directors This November

The Daily Eye Newsdesk lists three big releases on OTT awaited this month and also the three directors on top of the game

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So much hokum-pokum

Khalid Mohamed reviews the time-travel series JL 50, the documentary  Social Dilemma and ...

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She loved Cinema: Pamela Rooks

Humra Quraishi revisits the life and times of Pamela Rooks. And, her films, Miss Beatty’s Children and Train to Pakistan...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

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The first ever Critics Choice Film Awards in India

The Bollywood film industry gathered together for the first ever Critics Choice Film Awards held on 21st April (Sunday) in Mum...

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