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Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

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The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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Where Eagles Dare

People are experiences and experiences make interesting stories, says Yashika Begwani to me, writes Read More

The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

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The Legend Of Bhai Dooj

In this piece adapted from hearsay, Vinta Nanda writes that Bhai Dooj also has a story to follow.

For Hind...

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Tarkovsky’s Brilliant Images, Revisited

Khalid Mohamed finds solace in the book Instant Light: Tarkovsky’s Polaroids, comprising 60 images to live for.

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India's soft power - the unrealized potential

Where does India stand in the latest rankings on leveraging its soft power, asks Amit Khanna