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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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The Forgotten History of Human Civilization

Shantanu Ray Chaudhuri: A film based on a Badal Sircar play is rare. Rare still is a debutant filmmaker adapting one. That too...

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All about flesh and blood

Humra Quraishi responds to the unnecessary hungama surrounding Halal, a noise not sparing even Haldiram’s Falahari Packe...

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The Natural

Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsm...

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Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

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Presenting Gangubai: Mr. Controversy’s latest traffic-stopper?

As Sanjay Leela Bhansali’s latest offering hits the screen, Monojit Lahiri invites you to stand by for truckloads of taa...

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Appealing to the young at heart: Kakababur Protyabortan

Srijit Mukherji’s new film appeals to the young at heart, with Soumik Haldar’s cinematography helping it tide over the narrative lu...

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To be a good artist, first be a good person.

Humra Quraishi revisits conversations with the danseuse Sitara Devi and writer Mani Sankar Mukherji and draws comparisons - th...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Is patriotism just another prop for the Ad-biz?

Is nothing sacred in today's crazy clutter-breaking-obsessed-times, wonders an amused Monojit Lahiri