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To the country into which we were not born

“Twenty minutes ahead in the greatest terrorist attack of the year” – was Arnab Goswami&rsquo...

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And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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IT’S APPY NEW YEAR AND A BOUQUET OF TALKS

Here’s another in her series of a bouquet of talks, by Aparajita Krishna. This time she converses with Manmohan Shetty, Govind Nihalani, ...

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Alibabas galore…

Film historian Dhruv Somani flashbacks to the plethora of Bollywood movies, which were once fascinated by the adventures of Al...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

Where heroines dare

Film historian, Dhruv Somani, writes on leading ladies ...

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For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

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The Death Of Death…

You could one day be never too old to set another goal or to dream a new dream, writes Dr Anurag Yadav