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Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Imagine Norman Bates’s Kolkata cousin as a paying guest in your home

Shantanu Ray Chaudhuri reviews Bengali streaming platform, Hoichoi’s much-publicized psychological horror Mohomaya

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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KABHI BLOOD KABHI PIZZA

Khalid Mohamed shudders at the gorefest Chakravyuh, finds sweet relief in Gullak 2, and checks out the Oscar-nominated Sound o...

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More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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