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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Yosemite: A Travelogue

Bhooma Sundararajan transports you to Yosemite and brings you back from an exhilarating journey from there.

Film Appreciation Course with Arunaraje

Film Institute of India and the National Film Archive of India, Pune are conducting an online Film Appreciation Course after their regular summ...

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Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

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Pupils of a lesser God

Zuhaib, a student of mass communication at Jamia Millia Islamia University says that because of the lockdown all his classes are now online. Hi...

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On Manto’s 108th birth anniversary

“The more I sit thinking of Manto’s genius, I recall  my  meeting his grandnephew Abid Hasan Minto, in  New Delhi&rd...

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Across the Border: Mammo

Khalid Mohamed recalls how he wrote the real-life story and screenplay of the National Award-winning film, Mammo, now accessible on YouTube and...

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Kashmir Valley’s Rafeeqa Khatoon

I had no choice but to walk on. But the weight of the apple stuffed bag was getting on my nerves, writes Humra Quraishi&n...

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