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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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Some dope on pot: It’s Hazy

Vinta Nanda collates information from available materials on the web for us to find out what Bhang, Charas and Ganja mean to I...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Abdullah Khan of Patna Blues

Aparajita Krishna writes that the debut novel of the 49 year old author born in village Pandari, 40 Kms from Motihari in Bihar...

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The Bard of Bollywood: Gulzar

Humra Quraishi recalls her meetings with Gulzar. Born on 18th August 1934, his words that explore  the complex...

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Voices: Where the mind is without fear

On India’s Independence Day, Monarose Sheila Pereira speaks to several people to understand their perspective on freedom...

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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