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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Question of Age: The believe-it-or-not pluck of Chunibala Devi

Khalid Mohamed writes on the uncanny story of Chunibala Devi, who at the age of 80 portrayed the tetchy yet lovable village gr...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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A Journalist and two Gentlemen: Farooq Shaikh and Parvez Dewan

In the backdrop of actor Sushant Singh Rajput’s suicide, Humra Quraishi is reminded of what two gentlemen, Farooq Shaikh...

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Reincarnation: Bollywood’s affair with rebirth

Film historian Dhruv Somani gives you a lowdown on the ...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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