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The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

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The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

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The Directors This November

The Daily Eye Newsdesk lists three big releases on OTT awaited this month and also the three directors on top of the game

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Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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The Sundance Film Festival 2019 has several films sold already

The 2019 Sundance Film Festival began on January 24 and is scheduled to run through February 3 2019. The annual film festival is designed to sh...

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Talented South Asian Filmmakers at the Locarno Film Festival

Sanjeewa Pushpakumara’s latest film project ‘Amma’...

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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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Film Review: Mukti Bhawan

Thithi and Mukti Bhawan would make an excellent double bill. Both are indie comedy-dramas – even if Thithi, in both style and process, is indie-er than Shubhashish Bh...

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What’s Showing At Sydney Film Festival 2017

For 64 years Sydney Film Festival has screened some of the best local and international cinema. It has undeniably boosted Australia’s film industry, and is one of the...

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