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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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The Maestro: Pandit Ravi Shankar

This year – 2020 - is sitar maestro Pandit Ravi Shankar’s birth centenary year, writes Humra Quraishi  

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Dog Intelligence: A believe-it-or-not story

Abhinav Krishan writes on how ‘telepathic communication’ helped him to find his lost Labrador, after a four-month ...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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HOT SHOT - Bani J

Khalid Mohamed quizzes Bani J, the young woman on the go who’s made a wow impact as a bisexual woman in love in Season 2...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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