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Signs of the time: The vacuum

Humra Quraishi imagines what it would be like if India is to have a ministry of loneliness and leaves you to ponder over a bea...

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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Womanpower in khaki

Film historian Dhruv Somani, tracks down the heroines who have portrayed top cops, a domain usually reserved for heroes.

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So long, farewell, it’s hard to say goodbye…

I’m a writer, but I am at a complete loss of words when expressing the pain I’m feeling after losing my best friend Rajiv Kapoor, w...

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Does Naaz Patel have a dirty mind?

Even when the Myntra logo controversy ignited by her broke out, there was only sparse information on her on the Internet, writes Dr. Sa...

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The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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Voices we miss

Film historian Dhruv Somani, chronicles the popular film playback singers, who are rarely heard today.

Hope Factory: Business Ideas For Everyone

Vinta Nanda chats with Tarun Agarwal, author of Hope Factory: Business Ideas For Everyone, about his latest book and other thi...

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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More