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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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A Journalist and two Gentlemen: Farooq Shaikh and Parvez Dewan

In the backdrop of actor Sushant Singh Rajput’s suicide, Humra Quraishi is reminded of what two gentlemen, Farooq Shaikh...

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The Unknown Story

Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty

How many even know...

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Reincarnation: Bollywood’s affair with rebirth

Film historian Dhruv Somani gives you a lowdown on the ...

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Nepotism: Advertising Industry better or Bollywood?

Sandeep Goyal gives you a view to the nepotism, which mocks at as much talent in the Adve...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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