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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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WELCOME TO THE OTHER SIDE

“One can keep wondering about the why’s and the wherefores, but eventually it all boils down to the simple fact that we are not as ...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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Who wants to be a Millionaire? – Vinod Pande

We think we know them well. However, when you venture out to ask them questions you thought you had all the answers for, like I did, you discov...

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RIP Journalism

‘The vast wasteland of TV is not interested in producing a better mousetrap but in producing a worse mouse.’ -- Laurence C...

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Amazing celebrations across India in the month of April

India being a highly spiritual country, festivals are at the heart of people’s lives in India. Of course, India is perhaps the best count...

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Queen of Ghazals

When Danish Husain introduces his stage production of Akhtari: Dastan Bai Se Begum Tak, he says the storytelling and music format...

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The burden of the overworked Japanese mothers

Many Japanese women are caught in limited roles in the workplace, which hold them back from their biggest ambitions caused by the disproportion...

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Who is Teesta Setalvad?

She’s simple, strong and she talks straight. She’s also one of the very few among us, who remains c...

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