The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...

On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

The Exodus

As desperation and frustration increases amongst workers trapped in the city with no work and no money, they attempt to escape in whichever way...

KASHISH grant to make films on LGBTQ+

Call for submissions open to KASHISH QDrishti Film Grant 2020

KASHISH Mumbai International Queer Film Festival, South Asia’s biggest and India’s most ma...

Scream!

Dhruv Somani, author of a set of four books A Touch of Evil, selects five horror flicks, which unwittingly went through the crrrrreaky cracks.<...

Rishi Kapoor: He defined ‘Bollywood Art’

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

The quiet fade-out

How many care for a yesteryear star after her last breath? Here’s addressing the question, over a month after the passing away of yestery...

Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...