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Scream!

Dhruv Somani, author of a set of four books A Touch of Evil, selects five horror flicks, which unwittingly went through the crrrrreaky cracks.<...

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Hollywood icon: The Rock

Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggl...

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Extraordinary

Harking back to one of the last freewheeling interviews given in New York by the famed actor, Peter O’Toole, in which he discusses Indian cricket, Bo...

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Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

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The quiet fade-out

How many care for a yesteryear star after her last breath? Here’s addressing the question, over a month after the passing away of yestery...

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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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Sabir Masani ki Ajeeb Daastan

Meet a film writer who has been denied his just dues and name in the credits

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A touch of class

Review of Season’s Greetings, a short film which probes sexual identities

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Invisible – A Photo Essay

Photography: SL Shanth Kumar

India is home to 5 million sanitation workers - who ...

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Panchayat: Apna Gaon Apna Desh

Three cheers to Panchayat, a binge-worthy series at long last, in these stricken times - Khalid Mohamed