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This is what we voted for!

I woke up this morning to another depressing set of news headlines, writes Anupama Mandloi

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Explaining the lockdown to children

Family members talk to Monarose Sheila Pereira about th...

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Days of the future past: Subhashini Ali

Subhashini Ali recalls a time when she saw the role of the police and administration with clarity and how she was convinced of...

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Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

Open mail to Parineeti Chopra

Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the tr...

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Give peace a chance

Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentar...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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