Signs of the time: For God’s Sake, Be Human!

This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that ...

Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

Bringing positive change in society's attitude

To celebrate Women's Day, Jack Dinis asks some women pr...

Sightless in Bollywood

Film historian Dhruv Somani, recollects the B-town movies dealing with the theme of the sight-impaired.

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How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

Does Naaz Patel have a dirty mind?

Even when the Myntra logo controversy ignited by her broke out, there was only sparse information on her on the Internet, writes Dr. Sa...