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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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The genius of Jacques Tati

Sharad Raj explores how the existential and political angst of the torchbearers of the Novell Vague got an edge over Tati when it came to intel...

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More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

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Curtain calls, encores to Doctor Brijeshwar Singh!

Here, in this piece, Aparajita Krishna talks to Dr. Brijeshwar Singh, a renowned orthopedic surgeon who is leading the way for...

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Bengali Film Review: Dictionary

Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled ...

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Teachers: Stop systematic destruction of JNU

A press conference was held on 1st March 2021, to reiterate as to why the destruction is unsustainably dangerou...

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Gup-shup with GoPu

Noted academic, playwright, writer Govind P Deshpande (2nd August 1938 – 16th October 2013) was be...

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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

Playing corpse and killers

Khalid Mohamed has mixed feelings about the Mohanlal movie Drishyam 2, thumbs up three episode...

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