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COVID-19: The hour of reckoning

Anupama Mandloi writes about how the Mumbai based organization YUVA, has engineered itself to help the disadvantaged during th...

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Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

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Quarantine International Film Festival

Don’t miss the Quarantine International Film Festival, which is an online film festival presented by Prek...

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The Unknown Story

Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty

How many even know...

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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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As the neem tree fell… The delivery boy came up!

Humra Quraishi  tells the story of Zeb... a young unemployed boy, who gave birth to his n...

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Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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